Yulia Arsen
Dance artist
Choreographer
Performer
BIO
Choreographer and performer, she received education in Europe
(SOZO visions in motions, Iwanson Dance Academy, SEAD).
Now she lives and works mostly between Germany and Moscow.
Her field of interest as a dance maker lies on the border of contemporary dance, new theater, and performance art.
Her works were invited to many festivals in Germany, Russia, Estonia, and even Tanzania.
She also collaborates with theater directors and as a co-maker works on pieces in Moscow Art-Theater School, Sovremennik theater (Moscow), Altay Youth Theater (Barnaul), Meyerhold center (Moscow).
Plastic bag
(premiered January, 2021)
Femininity is a product.
The product is mass-produced, for which you can go to the supermarket.
Yulia Arsen goes with her plastic bag to the "Funny prices" shop to achieve there the only true femininity for sane money. And finally, to become full-fledged.

Hooligan performance-presentation with dancing for an audience over 16 years old and lasting 50 minutes.

Credits:
Choreography and performance - Yulia Arsen
Outer eye - Nastya Nikolaeva
Special thanks to the STANSIA art-residency and STD Russia for support.

right here, right now. auto-colonial rave
(work- in-progress with the show premier by spring 2021)
right here, right now
auto-colonial rave

Rave party on the border of dance performance and total installation about russian eternal sense of our cultural "secondary". Rave came to us from the UK, performances-parties - from Berlin or Amsterdam, the newest theater - in Europe, well, how can Russian artists and audiences exist in all of this? We want to be like someone else, pursue originality, compare ourselves with everyone else. But rave is not a competition, not even a work on yourself. What if this practice of collective fatigue frees us from auto-colonial mood for at least an hour and a half?

Credits:
Yulia Arsen - director, choreographer and concept
Alexey Silaev - set designer
Nastya Nikolaeva - theme developer
Anna Kozonina - curator
Nika Gilmutdinova, Denis Basko, Alexey Yurkov, Ksenia Tchizhova, Lera Teploukhova, Vika Vaskina, Sergey Tchirkov, Larisa Alentieva, Lena Shirinkina, Simon Farina, Yulia Arsen - performers
Natasha Guliaeva - producer
Irina Kozlova - director`s assistant

Produced by RemPut festival 2020-2021

Photos - Alexey Kabelitskiy, Valentina Malgina
Kusmos: Recursion
(premiered summer, 2020)

The interactive performance “Recursion” created by Kuflex in collaboration with dance artist Julia Arsen and composer Leksha Yankov.

This was the main event of the opening of the international festival EverArt Weekend in the GUM Gallery Red Line with an online broadcast in Twitch.


Is it possible to break beyond digital reality controlled by invisible algorithms?

Plastic performance took place in the GUM Gallery Red Line. The performer’s improvisation was captured by depth cameras, and her digital avatar was continuously transferring into the virtual Kusmos scene. Viewers in the gallery were watching live dance and the virtual show on the screens. Online viewers on the Twitch platform watched the virtual performance and could release the audiovisual objects by putting numbers in the chat window, and the performer could interact with that objects. As a result, the performance turned into a synthetic show in mixed reality.

RACE.lifelong
(solo, premiered in 2020)
RACE.lifelong

The first piece of GENDER SOLO SERIES.
It is a confrontational, philosophical and at times satirical solo. On a bleak, empty stage, the performer searches for self by deconstructing and reformatting various aspects of her being.
She moves within a certain national matrix, trying to find a way out of it or, most importantly, to realize whether she needs this exit in general. This work involves consciously deconstruction of various parts of her personality, which she then joins together in unexpected ways. Meanings that were not embedded in the original structure appear and dissolve.

The research for the piece took place in Kassel, Halle 2 (Gemany) and than was premiered in February 2020 at ZIL cultural center in Moscow.
Solo is shortlisted at the international theater festival - MOHOfest.

But I want him to like me
(solo, premiered in 2019)
But I want him to like me

Following the performer, the audience goes through the chain of images as if they were skimming an old photo album.
They experience the moments of recognition caused not by certain narrative, but mostly by the atmosphere and feelings, which are known – fear, helplessness, avoiding, forgiving and accepting."

Solo "But I want him to like me" was premiered in Kassel in February 2019 and than was invited to several festivals in Germany (Let me in festival, Wall Series, Tanzwuchs, TanzInTents etc) and Tanzania (Haba na Haba festival)



Artistic statement

"My focus is on asking questions rather than giving answers, and I aim to make work that allows my viewers to engage in these questions with me. Rather than illustrating, I am interested in acknowledging the present moment. Allowing viewers to share what I'm going through right here, right now. In order to create conditions where I can share my present self, my practice revolves around endurance and repetition. The tasks I create for myself function as real-time questions to my body, and I invite viewers to witness me searching for answers.

I often use improvisation on stage, because it allows me to be fully open, vulnerable, and present. This leaves space for air inside the work, for unexpected things to happen. I use movements, actions and objects as tools to reach certain physical states, which function as metaphors for existential or philosophical topics. I also write and instantly compose text."
(photo by Elise Scheider & Joshua Iype)








As a dancer Yulia have collaborated with Tomas Danielis (FEYNmen company), Agostina D`Alessandro, Ryan Mason, Jianan Qu, Niv Melamed and many others
Contact information
Let`s share, connect and exchange
+7 925 729 00 41
julia.arsen@gmail.com
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